K
kerning III-479
keyboard layouts I-146–I-154
clearing and restoring keyboard shortcuts I-152
exporting and importing I-153–I-154
languages and I-154
Keyboard Layout window I-147–I-148
keyboard shortcuts
assigning to keyboard layout I-148–I-151
audio details II-297
button bars I-46, I-155–I-158
buttons I-155–I-158
color-coding tracks II-206
color correction III-581
Copy Filter controls III-569
customizing II-269
customizing keyboard layout for I-45, I-146–I-154
described I-45
Digital Cinema Desktop Preview feature I-228
editing II-148, II-425
Edit Selection tool shortcuts II-345
“gearing down” II-193, II-344
logging functions I-267
marking controls I-82, I-97
motion effects III-258
moving between clips III-554
multiclips II-269
Option key uses II-196
pen tools III-122–III-123, III-293
playback controls I-79, I-94
saving as text files I-152–I-153
selection tools II-175
shuttling through clips I-103
slide edits II-320
split edits II-234
switching to Canvas or Timeline II-429
Time Remap tool III-355
transport controls I-79, I-94
Trim Edit window II-365
variable speed settings III-356
volume controls III-115
zoom controls III-300
Index
513
zooming I-118, I-134, I-137–I-138
zooming in and out of waveforms II-295
key button III-605
key edits IV-132
key events IV-136
key filters. See keying filters
keyframe buttons III-225, III-291
keyframe controls I-82, I-97
keyframe editor I-129, III-167, III-323, III-325, III-349
Key frame every N frames option IV-344
keyframe graph area II-130, III-322–III-323
keyframe graph ruler III-226, III-292
keyframe graphs III-348
creating more space in III-300
described III-225
ruler III-226
in Timeline III-322–III-324
time scale in III-302
zoom controls III-300–III-301
keyframe navigation buttons III-225, III-291
keyframe overlays I-126
key frames
temporal compression and IV-251
keyframes II-174, II-302, IV-273
adding III-78, III-113, III-294–III-296
adding to clips I-82
adjusting III-113, III-174, III-296
animating motion effects with III-287–III-307
audio filters III-172–III-175
audio levels and IV-314
Bezier handles and III-307–III-311, III-315, III-316,
III-319
clip keyframes I-119
clip parameters and III-289–III-307
clip settings III-124–III-125
color correction and III-563
controlling pan III-89–III-91, III-125, III-133–III-135
controls III-172, III-291–III-301, III-563
control surfaces and III-108
creating III-122
curved keyframes III-319
deleting III-99, III-122, III-127, III-175, III-297–
III-298, III-314
described III-255, III-287, III-288–III-289, IV-460
determining number to use III-289–III-290
EDLs and IV-144
eliminating clicks III-130
examples of using III-302–III-307
favorite motion effects III-320
filter keyframes III-167
Garbage Matte filters and III-442–III-443
generator clips and III-448
graphs IV-460
keyframe editor. See keyframe editor
keyframe graph area III-322–III-323
keyframe graph ruler III-292
keyframe graphs III-292, III-300, III-300–III-302
looping playback while recording III-96
mixer automation and III-92
mixing levels III-128
modifying III-98–III-99
motion bars and III-324
motion effects and III-255
motion paths and III-311–III-319
moving III-126, III-174, III-297, III-324
navigating between III-125, III-174, III-298
one-dimensional keyframes III-310
opacity IV-148
origin of III-287
overlays I-126
overlays and III-126, III-174, III-297
parameter settings III-173
recording III-73, III-77, III-93–III-96, III-173–III-174
remap keyframes III-346, III-348
setting for clips I-82, I-97
setting for sequences I-82, I-97
settings III-291–III-301
showing or hiding III-224
smoothing with Bezier handles III-307–III-311
still image camera motion effects III-382
subframe keyframes III-129–III-132, III-178
time remap keyframes III-358–III-359
tools III-293
two-dimensional keyframes III-310
uses for III-287
variable speed changes and III-345
velocity III-317–III-319
in Viewer III-123–III-127
viewing in Timeline I-128
volume levels and III-113, III-116, III-125, III-128–
III-130
Key Frames option IV-251
keying III-421–III-445, IV-460
background issues III-425–III-426
blue or green background III-424, III-425
chroma keying III-424
compression and III-424
described III-421, III-422
lighting and III-425–III-426
luma keying III-424
overview of the process III-427–III-429
using the Chroma Keyer filter III-430–III-431,
III-434–III-438
using the Waveform Monitor III-426
video formats and III-424
keying filters III-246–III-247, III-423
key levels IV-148
key tracks III-418, IV-148
514
Index