Final Cut Pro 6 - R

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Radial Blur filter III-241
Radial transition II-391
RAIDs (Redundant Array of Independent
Disks) I-216, IV-467
RAM (random access memory)

playback and III-642–III-643
still cache and III-632
voiceover requirements III-141

RAM settings IV-320, IV-467
Random Edge Wipe transition II-392, IV-152
range-checking options III-524–III-525, III-551, IV-467
Range Selection tool II-175, II-179, III-221
rarification, sound waves and III-17
Rate option IV-258, IV-264, IV-346

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Rate option for timecode II-448
Ratio slider III-158, III-159
raw data IV-467
raw previewing mode I-228
Razor Blade All tool II-209
razor blade edits IV-467
Razor Blade tool II-208
RCA connectors I-178, I-188, I-192
readability of fonts III-472
real-time audio

filter adjustments III-169
mixing III-68, III-634–III-636

real-time audio mixing III-634, IV-305, IV-439
Real-time Audio Mixing field III-635
real-time editing II-273, II-276–II-278
real-time effects I-214, IV-467

codecs III-638
dynamic real-time playback III-629
external video monitoring III-629
identifying transitions and filters for III-620
overview III-617–III-622
playback settings III-625–III-631
record settings III-631
render bars III-620
RT pop-up menu III-625–III-627
Safe RT mode III-625
settings III-622–III-640
video output III-640

real-time level automation III-77
real-time playback III-638
real-time playback quality II-278
Recapture option for EDL import IV-142
recapturing clips

with Media Manager I-294
overwriting files I-275
process I-288

recapturing items

clips IV-467
clips from imported EDLs IV-143

recapturing process IV-467

effective media management and IV-14
full-resolution IV-60, IV-63
media management and IV-16
multiclips II-284
online editing and IV-89
timecode modifications and II-446

Recent Clips pop-up menu I-76, I-88, IV-305
Recompress All Frames option IV-239, IV-241, IV-298
recompressing media files

avoiding IV-239
choosing codec and format IV-241
in Media Manager IV-93, IV-104
Media Manager options IV-89
Media Manager process IV-114
OfflineRT format and IV-62
QuickTime conversion and IV-236

Reconnect Files dialog IV-80
reconnecting clips II-284
reconnecting media IV-76–IV-83

effective media management and IV-14
search paths IV-318

Reconnect Media command IV-76–IV-83
Reconnect option for EDL import IV-142
Reconnect window IV-81
Record Audio Keyframes button III-70, III-73, III-94
Record Audio Keyframes option III-77, IV-314
recording process

device control presets IV-354
output to VHS tape IV-225
Print to Video command IV-219, IV-220–IV-222
real-time effects and III-631
recording anamorphic video IV-430
recording from Timeline IV-219, IV-223–IV-225
recording to videotape IV-197–IV-218, IV-219–
setting up for IV-220–IV-222
voiceover controls III-142
voiceover settings III-145, III-149–III-152

record monitors I-99, IV-467
record tapes in EDLs IV-130
Rectangle Iris transition IV-151
Rectangle transition II-390
rectangular pixels. See non-square pixels
redigitizing process. See recapturing process
Redo command II-94
Redundant Array of Independent Disks
(RAIDs) I-216, IV-467
Reel/Roll option II-448
reel conflicts IV-137
reel names II-245, II-246
Reel property IV-41, IV-46

changing name in Browser IV-147
described IV-467
duplicate timecode and I-268
entering names I-256
identifying in EDLs IV-131
information about I-255
labeling I-249
names I-250, I-292, II-245, II-246
names of IV-16, IV-146–IV-147, IV-150
numbers I-268, IV-145
reel conflicts IV-137
timecode and II-448
timecode breaks and I-292

reference input connectors I-200
reference levels III-67
reference movies I-319, I-330, IV-238–IV-241, IV-259,
reference tone I-302, III-68
Refresh A/V Devices command I-231
relative timecode values II-352

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relative volume adjustments III-114
Release time control III-158, III-159
Relink dialog IV-109
remap keyframes III-346, III-348
removable media I-209, I-319
removable media drives I-209
Remove Attributes dialog III-99, III-330
Remove Subclip Limits command II-38
removing. See deleting items
removing items. See deleting items
renaming favorites III-335
renaming items

bins I-58
clips I-58
files I-58
sequences I-58

renaming markers II-64
Render All command III-654
render bar II-408
render bars III-646–III-647, III-648–III-649, IV-468

audio items I-123
colors I-123
imported QuickTime files and I-320

Render command III-652
Render Control tab III-659, III-660–III-661, IV-315,
Rendered Frames option I-224
render files II-408, III-673

creating III-645
deleting III-674–III-675, IV-27
deleting cache files I-115
described IV-467
generating III-657
invisible tracks and III-675, IV-313
location of III-672
low-resolution III-650
managing III-672–III-675
Media Manager settings IV-94
preserving III-675
reconnecting files IV-77
render cache files III-673
space requirements I-210
Undo command and III-675
updating projects and IV-27

Render Files folder III-673
Render Filters in Multiclip Display option II-278,

anamorphic media IV-434
audio III-116, III-656
audio and video separately III-651
audio filters III-636, III-648–III-649
audio mixing and III-636
Auto Rendering feature III-658, III-677
avoiding III-676–III-677

commands III-651–III-657
described III-645, IV-467
disabling III-658
effects III-656
indicators III-647–III-650
manually III-651
order of III-650–III-657
preferences IV-309, IV-315
printing to video and IV-193, IV-211, IV-215,
IV-222, IV-223
quality levels for IV-193
quality of audio exports III-194
reasons for III-645
reducing time for III-677
reference movies and IV-238
render files. See render files
Render Manager. See Render Manager
sequences III-651–III-659
settings III-660–III-667, IV-366–IV-367
testing III-677
tips III-676
unrendered effects IV-223
Video Processing tab settings III-662

rendering process

audio mixdown II-420
described II-408
nested sequences and II-416
render files II-408
single frames I-225
transitions II-408–II-409

Render Manager III-673–III-675
Render Only command III-655
render status bars I-123, III-620
replace edits I-92, IV-468

described II-149
In and Out points and II-156–II-157
keyboard shortcuts II-148
performing II-156–II-162
resynchronizing audio/video clips II-159
rules for II-156–II-157

Replace Find Results option II-30
Replicate filter III-251
Report Dropped Frames setting IV-308

rendering audio III-656
render status and III-649

Reset button II-291, II-402, III-124, III-163
Reset Match Color button III-598
reset timecode breaks I-289, I-292, IV-468
Reset Time Display checkbox II-75
resetting filters III-224
resize editing IV-468
resize edits II-350–II-351, II-399, II-405
Resize pointer II-347, IV-468
Resize Window pointer I-143

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resizing items

Browser columns I-62
windows I-141

resizing items. See scaling items
resizing tracks in Timeline II-131–II-132

capturing clips and I-286, I-294
display monitors I-145
graphics clips and III-369–III-371
images and III-369–III-371
QuickView settings III-641
rendered effects IV-367
rendering and III-661
still images IV-285

Resolution option IV-367
restarting batch capture I-278
Restore Project command II-76, IV-22
Restore Window Layout command I-146
restoring projects II-76–II-77
Results option II-30
resynchronizing items

angles in multiclips II-267
merged clips II-51
replace edits II-159

Reveal in Finder command II-28
Reveal Master Clip command II-282, II-432, IV-49
reverberation III-55, III-160
Reverb filter III-160
Reverse Alpha command III-413
Reverse Alpha property IV-34, IV-41, IV-47
reverse effects III-196
Reverse option IV-225
reverse playback I-100, III-343, III-344, III-352, III-363
reverse shots IV-468
Reverse Transition button II-401
Revert Project command II-76, II-77, IV-19
Rewind button IV-204
RGB Balance filter III-243
RGB channels III-415–III-416
RGB color space I-86, II-90, IV-379

Component RGB I-179
compositing and III-664
recording methods and IV-388
rendering Y´CbCr into III-664
settings III-665
updating projects and IV-29, IV-468
working in III-507, III-664

RGB mode III-415
ribbon cables I-213
Rich Text Format files (RTF format) I-313
right output channel III-125
rim lights (back lights) IV-448
ripple deletes. See ripple edits
Ripple Dissolve transition II-389, IV-151

ripple editing IV-468
ripple edits

adjusting clip length with II-407
asymmetrical trimming II-332–II-334
clips with transitions II-384
closing gaps II-201–II-202
indicators in Trim Edit window II-360
performing II-201–II-202, II-328–II-329, II-366
rippling multiple tracks II-332
sync relationships and II-330
tips II-334

Ripple filter III-244
Ripple tool II-325
rippling clips. See insert edits, ripple edits
roll editing IV-468
roll edits

changing transition location II-406
clips with transitions II-384
indicators in Trim Edit window II-360
performing II-334–II-339, II-366
rolling multiple tracks II-338
tips II-339
transition bar and II-399

Roll tool II-334, II-336
room noise III-138
room shape, audio and III-55
room tone II-287, II-310–II-313, III-178, IV-468
Rotate filter III-250

controls III-228
motion parameters III-258
rotating clips III-276, III-279

rotation handles III-276
rotation value IV-468
rotoscoping IV-469
rough cuts I-19
rough edit IV-469
rough edits

drag-to-Timeline editing II-137
steps in II-91–II-92

roundtrips III-209
RS-232 device control IV-354, IV-356
RS-422 device control IV-194, IV-200, IV-351, IV-354,
RT-11 disks IV-140
RT Extreme

codecs III-638
external video monitoring III-629
record settings III-631
Safe RT mode III-625
settings III-622–III-640
video output III-640

RTF files (Rich Text Format) I-313, IV-444
RT pop-up menu I-122, III-622, III-623–III-624, IV-193

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RTP Payload Encodings option IV-260
ruler IV-469

positioning playhead with I-133
in Timeline I-117
in Transition Editor II-398
in Viewer II-291

run-length encoding IV-392