Final Cut Pro 6 - Using Color for Color Correction

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Using Color for Color Correction

To work on your project in a dedicated color correction environment, you can send
your sequence to Color using the Send to Color command or by exporting your
sequence to the Final Cut Pro XML Interchange Format.

The basic steps in the Color workflow are:

Step 1:

Prepare your sequence for working in Color

There are a couple of steps you can take to prepare your edited sequence to work in
Color more efficiently. To be safe, make a copy of your sequence before making any of
these changes.

 To simplify navigation and correction in Color, move all clips that are superimposed

for editing purposes to track V1. This does not apply to clips that are superimposed to
create a composited effect; those clips should be left alone.

 To ensure optimal performance when working in Color, it’s also a good idea to

break long sequences (such as those for feature-length projects) into approximately
22-minute reels (the length is arbitrary, but 22 minutes is the standard length of a
film reel). Each reel should begin and end at a good cut point.

Step 2:

Prepare your media for working in Color

Once you’ve prepared your sequence, you should also prepare your project’s media.

 If you’re handing your project off to someone at another facility, you may want to

take the opportunity to process your sequence using the Media Manager to trim
your media to only what’s necessary for the finished sequence.

 For the best results, you should also recapture all offline-quality media at its native

online resolution.

 Lastly, if you want to use Color to correct clips such as generators, still images,

imported LiveType projects, or imported Motion projects, you should export them
as self-contained QuickTime files and use these to replace the original clips in your
sequence. If you don’t need to work on them in Color, you can leave these clips
alone. These effects clips will simply be ignored when you send the sequence to
Color, and they will reappear when you send the project back to Final Cut Pro.

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Part III

Color Correction and Video Quality Control

Step 3:

Send your sequence to Color

If Color is installed on the same computer as Final Cut Pro, you can select the sequence
and choose File > Send To > Color. The project data is automatically transferred to
Color using XML and is converted to a Color project.

If Color is on a remote computer, you can select your sequence and choose File >
Export > XML. Copy the XML file and all of the necessary media files to a hard disk and
bring it to the Color system, then import the XML file into Color.

Step 4:

Color correct in Color

Use the tools in Color to color correct each clip in your sequence.

Step 5:

Send your Color project back to Final Cut Pro

After you finish working in Color, you’ll render every clip in your Color project to create
a new set of color-corrected media files. When you send the Color project back to
Final Cut Pro, the resulting sequence refers to the new color-corrected media files.

Note: You can also use an EDL to transfer clip information between Final Cut Pro
and Color; however, your functionality will be much more limited. This workflow is
recommended only for projects being reconformed and finished at 2K resolution in Color.

For detailed instructions on all of the above steps, see the Color User Manual.

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Part IV: